For more than half a century, Annie Leibovitzhas been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz’s inimitable style.
The catalogue to an installation at the LUMA Foundation in Arles, France, Annie Leibovitz: The Early Years, 1970–1983returns to Leibovitz’s origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz’s development as a young artist and of a pivotal era.
Leibovitz’s reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon’s resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book’s pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, andDebbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated.
Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it’s a celebration of life on the road—the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.
Authors: Annie Leibovitz, Luc Sante, Jann S. Wenner
Measurements: 21.6 x 27 cm
Weight: 1 kg
Sustainability:Tachen is a carbon neutral publisher Each year, Taschen offsets its annual carbon emissions with carbon credits at the Instituto Terra, a reforestation program in Minas Gerais, Brazil, founded by Lélia and Sebastião Salgado.
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Taschen is an art book publisher founded in 1980 by Benedikt Taschen in Cologne, Germany. As of January 2017, Taschen is co-managed by Benedikt and his eldest daughter, Marlene Taschen.
The company began as Taschen Comics, publishing Benedikt's comic collection.
Taschen has been a pioneer in making lesser-seen art available to mainstream bookstores, including some fetishistic imagery, queer art, historical erotica, pornography and adult magazines (including multiple books with Playboy magazine). The firm has brought potentially controversial art into broader public view, publishing it alongside its more mainstream books of comics reprints, art photography, painting, design, fashion, advertising history, film, and architecture.
Taschen publications are available in a variety of sizes, from oversized tomes to small pocket-sized books. The company has also produced calendars, address books, and postcards sets
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